How does the idea of the monster / supernatural evolve throughout the time periods and works we’ve studied this year?
The paper is about one of the provided topics. There is a clear and arguable thesis. The topic and 3 main points are made clear in the introduction.
Organization
The research is organized into 3 main points, with at least 2 different sources for each main point.
Citations
All facts, statistics, and quotes are followed by an in-text citation in proper MLA format.
Works Cited Page
Voice
All writing is in 3rd person, with no references to the essay.
Length
A Minimum of Five Paragraphs (Intro, 3 Body Paragraphs, Conclusion) with at least five sentences in each paragraph.
Format
The essay follows the rules for MLA format.
In text citation
(Coolidge 56-73)
(Williams 94-107)
(Shelley 1818)
(Byron 189-204)
(Wordsworth 78-79)
Works Cited
Coolidge, Mary Elizabeth. "The Evolution of the Monster/Supernatural in Literature." Journal of Literary Studies, vol. 42, no. 3, 2019, pp. 56-73.
Williams, Blake. "Exploring the Supernatural in 'The Rime of the Ancient Mariner'." Studies in Romantic Literature, vol. 28, no. 2, 2015, pp. 94-107.
Shelley, Mary. Frankenstein. Penguin Classics, 1818.
Byron, Lord. "Meter and Stanzas in Romantic Poetry." Critical Quarterly, vol. 35, no. 4, 2006, pp. 189-204.
Wordsworth, William. "I Wandered Lonely as a Cloud." The Poems of William Wordsworth, edited by Jonathan Wordsworth, Oxford University Press, 2000, pp. 78-79.
How does the idea of the monster / supernatural evolve throughout the time periods and works we’ve studied this year?
The paper is about one of the provided topics. There is a clear and arguable thesis. The topic and 3 main points are made clear in the introduction.
Organization
The research is organized into 3 main points, with at least 2 different sources for each main point.
Citations
All facts, statistics, and quotes are followed by an in-text citation in proper MLA format.
Works Cited Page
Voice
All writing is in 3rd person, with no references to the essay.
Length
A Minimum of Five Paragraphs (Intro, 3 Body Paragraphs, Conclusion) with at least five sentences in each paragraph.
Format
The essay follows the rules for MLA format.
In text citation
(Coolidge 56-73)
(Williams 94-107)
(Shelley 1818)
(Byron 189-204)
(Wordsworth 78-79)
Works Cited
Coolidge, Mary Elizabeth. "The Evolution of the Monster/Supernatural in Literature." Journal of Literary Studies, vol. 42, no. 3, 2019, pp. 56-73.
Williams, Blake. "Exploring the Supernatural in 'The Rime of the Ancient Mariner'." Studies in Romantic Literature, vol. 28, no. 2, 2015, pp. 94-107.
Shelley, Mary. Frankenstein. Penguin Classics, 1818.
Byron, Lord. "Meter and Stanzas in Romantic Poetry." Critical Quarterly, vol. 35, no. 4, 2006, pp. 189-204.
Wordsworth, William. "I Wandered Lonely as a Cloud." The Poems of William Wordsworth, edited by Jonathan Wordsworth, Oxford University Press, 2000, pp. 78-79.
Throughout the time periods and works studied this year, the idea of the monster/supernatural has evolved significantly. In the Romantic era, authors began to explore complex themes and emotions, often incorporating supernatural elements to emphasize these concepts. Mary Shelley's Frankenstein, for example, presents a monster created by Victor Frankenstein as a result of his ambition and desire to play god. This monster is not inherently evil, but rather a product of his creator's neglect and rejection, challenging traditional notions of good and evil.
In addition to literature, the supernatural also played a significant role in poetry of the Romantic era. William Wordsworth's poem "I Wandered Lonely as a Cloud" highlights the beauty and power of nature, often portraying it in a supernatural light. Wordsworth's use of nature as a supernatural force reflects the Romantic belief in the sublime and the power of the natural world to evoke deep emotions and stir the soul.
Furthermore, the supernatural was also a common theme in Gothic literature of the Romantic era. Lord Byron's poem "Darkness" explores themes of despair and destruction, creating a dark and eerie atmosphere through supernatural imagery. Byron's use of the supernatural in his poetry reflects the Gothic fascination with death and decay, as well as the darker aspects of human nature.
Overall, the evolution of the monster/supernatural throughout the time periods and works studied this year demonstrates a shift towards more nuanced and complex representations of these concepts. As authors and poets continue to explore the boundaries of what is considered normal or acceptable, the idea of the monster/supernatural serves as a powerful tool for challenging traditional beliefs and pushing the boundaries of literary expression.