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The idea of the monster/supernatural has evolved throughout time periods and works studied this year, as evidenced by the works of William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Shelley, John Keats, Jane Austen, and Mary Shelley. Over the centuries, the portrayal of monsters and the supernatural has shifted from being purely horrifying and feared to being more complex and nuanced.
Firstly, in the poetry of William Blake, such as "The Tyger" and "The Lamb," the idea of the monster is presented as a powerful and awe-inspiring force in nature. The monstrous figure in these poems is not necessarily evil or harmful, but rather represents a mysterious and divine presence. This reflects a more nuanced understanding of the supernatural as something to be respected and admired, rather than feared.
Secondly, in the works of Samuel Taylor Coleridge, such as "The Rime of the Ancient Mariner" and "Kubla Khan," the supernatural is presented as a more sinister and troubling force. The monsters in these poems are not simply divine entities, but rather represent the consequences of human folly and hubris. This reflects a shift towards a more cautionary and moralistic view of the supernatural, as something that must be approached with caution and respect.
Lastly, in Mary Shelley's "Frankenstein," the idea of the monster is further developed to embody themes of isolation, responsibility, and societal rejection. The monster in this novel is not inherently evil, but rather becomes so as a result of his mistreatment and abandonment by humanity. This reflects a more complex and empathetic portrayal of monsters, as beings capable of redemption and understanding, rather than simply as sources of fear and horror.
In conclusion, the idea of the monster/supernatural has evolved throughout time periods and works studied this year, from being purely horrifying and feared, to being more complex and empathetic. These changes in portrayal reflect shifting societal attitudes towards the supernatural, as something to be respected and understood, rather than simply feared and reviled.
Works Cited:
Blake, William. "The Tyger."
Coleridge, Samuel Taylor. "The Rime of the Ancient Mariner."
Shelley, Mary. Frankenstein.
Wordsworth, William. "The Lamb."
Coleridge, Samuel Taylor. "Kubla Khan."
Byron, Lord. (insert title of work).
Shelley, Percy. (insert title of work).
Keats, John. (insert title of work).
Austen, Jane. (insert title of work).