Make bullet points for the main idea
At The Dambam171
therung does not entorn in head, it is dus, glances curity and walks on. It gradually penetrates the mind of the prison that the people passing do now hear that some thick deeds of invisible hor bostrildy tangible plate glass is between them and the world. They get excited, they talk louder, they gesticulate, Sonne of the passing world stop bi curiosity, these greticulations seem peditless, they laugh and pass on. They still either do not hear at all, or bear bot dienly, and even what they hear, they do not understand. Then the people within may becsune hysterical They may scream and hurt themselves against the barriers, hardly realizing in their bewilderment that they are screaming in a vacsoro unheard and that their antics may actually seem funny those outside looking in. They may even, here and there, break through in blood and disfigurement, and find themselves faced by a horrified, implacable, and quite overwhelming melves people frightened for their own very existence.
about the relationship of a member of the Talented Tenth to the black folk. Here the concern is with the relationship of the white world to the black world, each the figure of the black spokesman mediating between the two. The elationship of the two worlds is again presented through a differentiation of hearing and sight. The failure of hearing leads to a distortion of sight so that de "entenbed" begin to appear in their frustration either as laughable or as a savage threat that can be contained only through mob violence. The source denlightenment is not so much reversed as made reciprocal. Freedom lies inside the cave, but there is also a truth the white world needs to learn from.
de The treatment of the black leader figure is more equivocal. The begins with attention focused on the "one" who has to speak he of the presents the putride world. Here at least Platos speaks on bringing knowledge out of the cave and not into it.) Lateruardian attention shifts from the one to the many as the prisoners' abes become speaking subjects. Earlier in Dusk of Dawn, describerg pet of racistence on his own stance of scientific objecibing progres, Du Bois writes that "one could not be a calm, cool, sity ded zientist while Negroes were lynched, murdered and starved. "Id page quoted above from the later "Concept of Race" chapter, it is the spokesman's talking "evenly and logically" leads to nothing that the penes become collectively vocal. But if the reasoned arguments of fall on deaf ears, the efforts of the many can be seenSEAMOON ZAMIE
- The barrier between the white world and the black world causes misunderstandings and violence
- The black spokesman serves as a mediator between the two worlds
- The failure of hearing leads to a distortion of sight, causing the black to be seen as either laughable or threatening
- The black leader figure's role changes from individual to collective as the prisoners become speaking subjects
- The need for the white world to learn from the truths of the black world
ed by the With the failure of bhandail and enillective efientDy B
intelligence within the limits of a radicall cost The making articulate of the outgod canne sind as the fiction of the spokesman's ethical address to the white world. The process of such advocacy the leader himself becomes an outsider the grand Du Bois recognizes that outside leadership will coartitically misinterpret and compromise and complicate matters, ঠিক এ will. But to remain only within the group is to risk becoming "pesimis and centered upon the problems of his particular group. I onder to bette "a group man, a 'race' man," the individual may have to sacrifice "the sider aspects of national life and human existence." familiar from the analysis
this is of the "contradiction doublauch from the first chapter of Sentary in a directive son of Duck of double akes the autobiographical cook. The final chapte Daww he conclusion of the earlier boats De Bone's of Dask of De focalled "Revolution." "The chapters Boss's ove beyed deception of ignorance and deliberadden and partially cofrece prejudic conceplan understanding of other "hidden and partially concealed causes of race hate." These other causes are spinoy summarized as capitalin planned perpetuation of material and spiritual and intellectual deprivation The summary is itself placed between two visions of collective political action, one from the past, leading Du Bois toward a radical reformulation his ideas, and the other a promise of future revolution. Consciousness and materialist understanding, self and collectivity, now begin to move toward a new synthesis:
f
I think it was the Russian Revolution which first illuminated and made clear [the] change in my basic thought. It was not that I at any time conceived of Bolshevik Russia as ushering in any present millennium. I was painfully sensitive to all its failures, to all the difficulties which it faced; but the clear and basic thing which appeared to me in unquestioned brightness, was that in the year 1917 and then, after a struggle with the world and famine ten years later, one of the largest nations of the world made up its mind frankly to face a set of problems which no nation at that time was willing to face, and which many nations including our own are unwilling fully to face even to this day.
- The making articulate of the outsider perspective serves as a means of advocacy to the white world
- The leader may become an outsider in order to effectively advocate for change
- Remaining solely within the group may lead to a narrow focus on specific issues
- The root causes of race hate are complex and involve material, spiritual, and intellectual deprivation
- The Russian Revolution influenced a change in Du Bois' thinking, highlighting the importance of facing difficult problems and working towards collective political action
ZAMIR
achievements are not derived Juxtaposed It has tried not to hurry Du Bois, nor to reject" or "disconer of the early for him. The meaning and value of of Hegelian negativity are j from their contribution to a totalizing account of the whole life. The later a conceptualization latter are not given as the term that is fulfilled in the former Du Boi's socialism and the earlier dramas autobiographical writings offer his readers so much as a linear trajectory but as a palimpsest in visible and continuos autobiography process. For the middle part of the Autobiography, dealing with the years from his childhood to the late 1940s, Du Bois drew almost entirely on previously of the published works. The results are not as impressive as some of the earlies works. But the framing of this middle section an account of the trip to the Soviet Union and China, as well as the declaration of communist sympathy, and an account of his trial in the 1950s does create a formal structure of awkward tonal overlayering in which the different moments of the life are curiously available in simultaneous contrast, The last sentence of Dusk of Dawn offers a more self-conscious sense of the life as a continual process in which the telos of both biography and historical process is deferred. "I like a good novel," writes Du Bois, "and in healthful length of days, there is infinite joy in seeing the World, the most interesting jength ofuing stories, unfold, genitten in the last decade of his to the final of continu Bois's Autobiography, writat firmly to a living see song life, te Lines of Du Bon such a way that the recollective and contemplative model of consciousness such Soul is joined to the imagination of revolution, not superseded by it betwees his life
- Du Bois' achievements are not rushed or dismissed, but viewed as part of a continual autobiography process
- The later conceptualization of Du Bois' socialism and earlier autobiographical writings create a palimpsest of his life
- The middle section of the Autobiography draws on previously published works and includes accounts of his trips and political sympathies
- The structure of the Autobiography creates a simultaneous contrast of different moments in Du Bois' life
- The last sentence of Dusk of Dawn reflects a self-conscious sense of life as a continual process with deferred telos
- Du Bois' Autobiography shows the intertwining of recollection, contemplation, consciousness, and revolutionary imagination in his life
SHAMOON ZAMIR
achievements are not derived Juxtaposed It has tried not to hurry Du Bois, nor to reject" or "disconer of the early for him. The meaning and value of of Hegelian negativity are j from their contribution to a totalizing account of the whole life. The later a conceptualization latter are not given as the term that is fulfilled in the former Du Boi's socialism and the earlier dramas autobiographical writings offer his readers so much as a linear trajectory but as a palimpsest in visible and continuos autobiography process. For the middle part of the Autobiography, dealing with the years from his childhood to the late 1940s, Du Bois drew almost entirely on previously of the published works. The results are not as impressive as some of the earlies works. But the framing of this middle section an account of the trip to the Soviet Union and China, as well as the declaration of communist sympathy, and an account of his trial in the 1950s does create a formal structure of awkward tonal overlayering in which the different moments of the life are curiously available in simultaneous contrast, The last sentence of Dusk of Dawn offers a more self-conscious sense of the life as a continual process in which the telos of both biography and historical process is deferred. "I like a good novel," writes Du Bois, "and in healthful length of days, there is infinite joy in seeing the World, the most interesting jength ofuing stories, unfold, genitten in the last decade of his to the final of continu Bois's Autobiography, writat firmly to a living see song life, te Lines of Du Bon such a way that the recollective and contemplative model of consciousness such Soul is joined to the imagination of revolution, not superseded by it betwees his life
- Du Bois' achievements are seen as part of a continuous autobiography process, not to be rushed or dismissed
- His later writings offer a palimpsest of his life rather than a linear trajectory
- The middle part of the Autobiography draws on previously published works and includes accounts of his political sympathies and trials
- The structure of the Autobiography creates a contrast of different moments in Du Bois' life
- The last sentence of Dusk of Dawn reflects a self-conscious understanding of life as a continual process with deferred telos
- Du Bois' Autobiography combines recollection, contemplation, consciousness, and revolutionary imagination in a unique way