Writing a Research Paper Final on The idea of the monster/supernatural has evolved significantly throughout the time periods and works we have studied this year.
Romantic poetry blake
Lyric poetry wordsworth
Lyric poetry Coleridge
Bryon
Shelly
Keats
Frankenstein
Throughout the time periods and works we have studied this year, the idea of the monster and the supernatural has evolved significantly. From the early Romantic poetry of William Blake, to the lyrical works of Wordsworth and Coleridge, to the poetic narratives of Byron, Shelley, and Keats, the representation of the monstrous and supernatural has shifted and transformed.
In William Blake's early Romantic poetry, the concept of the monster often takes on a symbolic and allegorical quality. Blake's "The Tyger" and "The Chimney Sweeper" explore themes of innocence and experience, and the monstrous is represented as a force of nature or a reflection of the human condition. Blake's monsters are not purely terrifying creatures, but rather complex symbols that challenge the reader to contemplate deeper truths.
Wordsworth and Coleridge, in their lyrical poetry, also present a more nuanced portrayal of the monster and the supernatural. Wordsworth's focus on nature and the sublime sees the monstrous as a powerful and awe-inspiring force, while Coleridge's exploration of the supernatural in works like "The Rime of the Ancient Mariner" and "Kubla Khan" delves into the darker, more mysterious aspects of the monstrous.
Moving into the later Romantic period, poets like Byron, Shelley, and Keats further explore the complexities of the monstrous and the supernatural. Byron's "Manfred" and Shelley's "Frankenstein" both grapple with the idea of the monstrous as a reflection of humanity's darker urges and desires. Keats, in his Odes and narrative poems, presents a more subtle and philosophical approach to the supernatural, exploring themes of beauty, mortality, and the unknown.
Mary Shelley's "Frankenstein" stands out as a seminal work that challenges traditional notions of the monstrous. Through the creation of the creature and its tragic story, Shelley forces the reader to question who the true monster is and what it means to be human. "Frankenstein" blurs the lines between the natural and the supernatural, the monstrous and the divine, in a way that continues to resonate with readers today.
In conclusion, the idea of the monster and the supernatural has evolved significantly throughout the time periods and works we have studied this year. From the symbolic monsters of early Romantic poetry to the complex narratives of later Romantic poets, the representation of the monstrous and the supernatural continues to fascinate and intrigue audiences, inviting us to explore deeper truths about ourselves and the world around us.