Excerpt from “John Redding Goes to Sea” by Zora Neale Hurston

. . . Matty Redding, John's mother, was setting the table for supper. She was a small wiry woman with large eyes that might have been beautiful when she was young, but too much weeping had left them watery and weak.

"Matty," Alf began as he took his place at the table, "Dontcha know our boy is different from any othah chile roun' heah. He 'lows he's goin' to sea when he gits grown, an' Ah reckon Ah'll let 'im."

The woman turned from the stove, skillet in hand. "Alf, you ain't gone crazy, is you? John kain't help wantin' tuh stray off, cause he's got a spell on 'im; but you oughter be shamed to be encouragin' him."

"Ain't Ah done tol’ you forty times not tuh tahk dat low-life mess in front of mah boy?"

"Well, ef tain't no conjure in de world, how come Mitch Potts been layin' on his back six mont's an' de doctah kain't do 'im no good? Answer me dat. The very night John wuz bawn, Granny seed ole Witch Judy Davis creepin outer dis yahd. You know she had swore tuh fix me fuh maryin' you, 'way from her darter Edna. She put travel dust down fuh mah chile, dat's whut she done, tuh make him walk 'way fum me. An' evuh sence he's been able tuh crawl, he's been tryin tuh go."

"Matty, a man doan need no travel dust tuh make 'im wanter hit de road. It jes' comes natcheral fuh er man tuh travel. Dey all wants tuh go at some time or other but they kain't all get away. Ah wants mah John tuh go an' see cause Ah wanted to go mah self. When he comes back Ah kin see them furrin places wid his eyes. He kain't help wantin' tuh go cause he's a man chile!"

Mrs. Redding promptly went off into a fit of weeping but the man and boy ate supper unmoved. Twelve years of married life had taught Alfred that far from being miserable when she wept, his wife was enjoying a bit of self-pity.

Thus John Redding grew to manhood, playing, studying and dreaming. He attended the village school as did most of the youth about him, but he also went to high school at the county seat where none of the villagers went. His father shared his dreams and ambitions, but his mother could not understand why he should wish to go strange places where neither she nor his father had been. No one of their community had ever been farther away than Jacksonville. Few indeed had even been there. Their own gardens, general store, and occasional trips to the county seat—seven miles away—sufficed for all their needs. Life was simple indeed with these folk.

John was the subject of much discussion among the country folk. Why didn't he teach school instead of thinking about strange places and people? Did he think himself better than any of the "gals" there about that he would not go a-courting any of them? He must be "fixed" as his mother claimed, else where did his queer notions come from? Well, he was always queer, and one could not expect the man to be different from the child. They never failed to stop work at the approach of Alfred in order to be at the fence and inquire after John's health and ask when he expected to leave.

"Oh," Alfred would answer, "Jes' as soon as his mah gits reconciled to th' notion. He's a mighty dutiful boy, mah John is. He doan wanna hurt her feelings."

The boy had on several occasions attempted to reconcile his mother to the notion, but found it a difficult task. Matty always took refuge in self-pity and tears. Her son's desires were incomprehensible to her, that was all. She did not want to hurt him. It was love, mother love, that made her cling so desperately to John.

"Lawd knows," she would sigh, "Ah nevah wuz happy an’ nevah specks tuh be."

"An' from yo' actions," put in Alfred hotly, "You's determined not to be."

"Thas right, Alfred, go on an’ ‘buse me. You allus does. Ah knows Ah'm ign'rant an' all dat, but dis is mah son. Ah bred an' born 'im. He kain't help from wantin' to go rovin' cause travel dust been put down fuh him. But mebbe we kin cure 'im by disincouragin' the idee."

"Well, Ah wants mah son tuh go; an' he wants tuh go too. He's a man now, Matty. An' we mus' let John o his own row. If it's travelin' twon't be foh long. He'll come back to us bettah than when he went off. What do you say, son?"

"Mamma," John began slowly, "It hurts me to see you so troubled over my going away; but I feel that I must go. I'm stagnating here. This indolent atmosphere will stifle every bit of ambition that's in me. Let me go mamma, please. What is there here for me? Why, sometimes I get to feeling just like a lump of dirt turned over by the plow—just where it falls there's where it lies—no thought or movement or nothing. I wanter make myself something—not just stay where I was born."

"Naw, John, it's bettah for you to stay heah and take over the school. Why don't you marry and settle down?"

"I don't want to, mamma. I want to go away."

"Well," said Mrs. Redding, pursing her mouth tightly, "You ainta goin' wid mah consent!"

"I'm sorry mamma, that you won't consent. I am going nevertheless."

"John, John, mah baby! You wouldn't kill yo' po' ole mamma, would you? Come, kiss me, son."

The boy flung his arms about his mother and held her closely while she sobbed on his breast. To all of her pleas, however, he answered that he must go.

"I'll stay at home this year, mamma, then I'll go for a while, but it won't be long. I’ll come back and make you and papa oh so happy. Do you agree, mama dear?"

"Ah reckon tain' nothin' tall fuh me to do else."

Things went on very well around the Redding home for some time. During the day John helped his father about the farm and read a great deal at night.

Then the unexpected happened. John married Stella Kanty, a neighbor's daughter. The courtship was brief but ardent—on John's part at least. He danced with Stella at a candy-pulling, walked with her home and in three weeks had declared himself. Mrs. Redding declared that she was happier than she had ever been in her life. She therefore indulged in a whole afternoon of weeping. John's change was occasioned possibly by the fact that Stella was really beautiful; he was young and red-blooded, and the time was spring.

Spring-time in Florida is not a matter of peeping violets or bursting buds merely. It is a riot of color in nature—glistening green leaves, pink, blue, purple, yellow blossoms that fairly stagger the visitor from the north. The miles of hyacinths lie like an undulating carpet on the surface of the river and divide reluctantly when the slow-moving alligators push their way log-like across. The nights are white nights for the moon shines with dazzling splendor, or in the absence of that goddess, the soft darkness creeps down laden with innumerable scents. The heavy fragrance of magnolias mingled with the delicate sweetness of jasmine and wild roses.

If time and propinquity conquered John, what then? These forces have overcome older men.

The raptures of the first few weeks over, John began to saunter out to the gate to gaze wistfully down the white dusty road; or to wander again to the river as he had done in childhood. To be sure he did not send forth twig-ships any longer, but his thoughts would in spite of himself, stray down river to Jacksonville, the sea, the wide world—and poor home-tied John Redding wanted to follow them.

He grew silent and pensive. Matty accounted for this by her ever-ready explanation of "conjuration." Alfred said nothing but smoked and puttered about the barn more than ever. Stella accused her husband of indifference and made his life miserable with tears, accusations and pouting. At last John decided to bring matters to a head and broached the subject to his wife.

"Stella, dear, I want to go roving about the world for a spell. Would you stay here with papa and mama and wait for me to come back?"

"John, is you crazy sho' nuff? If you don't want me, say so: an' I kin go home to mah folks."

"Stella, darling, I do want you, but I want to go away too. I can have both if you'll let me. We'll be so happy when I return . . ."

Question
Use the passage to answer the question.

The distinctive and unusual stylistic features of this story indicate the text is an example of

Responses

realism.

realism. - no response given

Modernism.

Modernism. - incorrect

existentialism.

existentialism. - no response given

regionalism.

regionalism. - not selected, this is the correct answer

naturalism.

naturalism. - no response given

the correct answer is regionalism

Thank you for pointing that out, "John Redding Goes to Sea" by Zora Neale Hurston does display distinctive elements of regionalism in the story.

why is the answer regionalism

The answer is regionalism because the story "John Redding Goes to Sea" by Zora Neale Hurston focuses on the specific setting and culture of a rural southern community, highlighting the dialect, customs, and way of life of the people living in that region. Additionally, the story explores the tensions between tradition and the desire for adventure typical of characters from a specific geographic area. These elements align with the characteristics of regionalism in literature, which emphasizes the influence of regional settings on characters and plot.