Your friend Madhu is trying to convince you that prehistoric cave paintings might have been made by prehistoric shamans. She has some evidence that she has presented to you. Which of her arguments is MOST likely to support her theory that the cave paintings might have been made by prehistoric shamans? (1 point) Responses No hunter-gatherer societies practiced shamanism. No hunter-gatherer societies practiced shamanism. Prehistoric groups may have believed that the shamans could communicate with the spirits of the animals painted in the caves. Prehistoric groups may have believed that the shamans could communicate with the spirits of the animals painted in the caves. Prehistoric peoples returned to caves for about 500 years to create these paintings. Prehistoric peoples returned to caves for about 500 years to create these paintings. Only males were allowed to communicate with spirits.

The argument that is MOST likely to support Madhu's theory is: "Prehistoric groups may have believed that the shamans could communicate with the spirits of the animals painted in the caves."

The argument that is most likely to support Madhu's theory that the cave paintings might have been made by prehistoric shamans is: "Prehistoric groups may have believed that the shamans could communicate with the spirits of the animals painted in the caves."

The argument that is most likely to support the theory that prehistoric cave paintings might have been made by prehistoric shamans is: "Prehistoric groups may have believed that the shamans could communicate with the spirits of the animals painted in the caves."

To get to this answer, we need to evaluate each argument presented:

1. No hunter-gatherer societies practiced shamanism.
This argument does not directly support the theory, as it focuses on the absence of shamanism in hunter-gatherer societies. It does not provide a link between shamans and cave paintings.

2. Prehistoric groups may have believed that the shamans could communicate with the spirits of the animals painted in the caves.
This argument directly supports the theory by suggesting that prehistoric groups believed in the shaman's ability to communicate with the spirits depicted in the cave paintings. It establishes a potential connection between shamans and the creation of the paintings.

3. Prehistoric peoples returned to caves for about 500 years to create these paintings.
This argument provides valuable information about the time span over which the cave paintings were created. However, it does not directly support the theory that shamans were responsible for making them.

4. Only males were allowed to communicate with spirits.
This argument does not directly relate to the theory that prehistoric shamans made the cave paintings. While it mentions gender roles in spiritual communication, it does not establish a connection to the act of cave painting itself.

Therefore, the argument that states "Prehistoric groups may have believed that the shamans could communicate with the spirits of the animals painted in the caves" is most likely to support the theory that prehistoric shamans made the cave paintings.