Which passage from the Article best supports the idea that Douglas Miles has been influential in the development of a skater culture on the San Carlos Apache Reservation?
His company opened its own shop, the Apache Agency Skate Shop, which is a social hub for skaters on the reservation. The shop organizes skate competitions and concerts, and it sponsors a team of talented skaters. With the guts and grit of a band of Apache warriors on a mission of peace, the young men and women on the team travel around giving skating demonstrations.
San Carlos Apache Reservation in Arizona is another place where kids know a nollie from an ollie or a wallie. This rez is home to a thriving skatepark, as well as an acclaimed San Carlos Apache-Akimel O'odham artist named Douglas Miles, who founded Apache Skateboards.
His business ramped up from there. Many of Miles' boards are one-of-a-kind works of fine art on four wheels. Some have even been snapped up by museums and private collectors for hundreds of dollars.
The company first got rolling when Miles painted the deck of a skateboard for his son. The strong, striking design featured elements of pop culture combined with traditional tribal symbols, an Apache warrior with a sword and shield. Doug, Jr. hopped on his new board and rode it around the rez.
The passage that best supports the idea that Douglas Miles has been influential in the development of a skater culture on the San Carlos Apache Reservation is:
"San Carlos Apache Reservation in Arizona is another place where kids know a nollie from an ollie or a wallie. This rez is home to a thriving skatepark, as well as an acclaimed San Carlos Apache-Akimel O'odham artist named Douglas Miles, who founded Apache Skateboards."