In text citation
The idea of the monster/supernatural has evolved significantly throughout the time periods and works we have studied this year. In Coolidge's "The Rime of the Ancient Mariner," the supernatural is characterized by the ghostly figure of Death, who haunts the Mariner after his fateful encounter with the Albatross. In this poem, the supernatural is portrayed as a force of punishment and retribution for the Mariner's sins. Furthermore, the supernatural element adds a sense of mystery and foreboding to the narrative, creating a haunting atmosphere that lingers throughout the poem (Coleridge).
In contrast, Blake's "The Chimney Sweeper" presents the idea of the monster in a more metaphorical and allegorical way. The monster in this poem is not a physical being but rather a representation of the societal injustices and oppression faced by the chimney sweepers. The supernatural element in Blake's work serves as a critique of the dehumanizing effects of industrialization and capitalism on marginalized communities, ultimately highlighting the monstrous nature of human cruelty and indifference (Blake).
Moving on to Shelley's "Frankenstein," the idea of the monster takes on a more complex and nuanced form. In this novel, the monster is not portrayed as a mere creature of evil but rather as a tragic figure who is rejected and scorned by society. Shelley explores themes of alienation, responsibility, and redemption through the character of the monster, challenging traditional perceptions of monstrosity and humanity. The supernatural element in "Frankenstein" serves as a reflection of the dark and destructive side of human nature, highlighting the consequences of playing God and tampering with the natural order (Shelley).
Furthermore, Lord Byron's exploration of meter and stanzas in his works adds a unique perspective to the evolving idea of the monster/supernatural. Through his use of poetic form and structure, Byron creates a sense of rhythm and flow that enhances the haunting and Gothic elements in his poetry. The supernatural is often evoked through his choice of language and imagery, creating a sense of unease and foreboding in his works. Byron's manipulation of meter and stanzas adds depth and complexity to his portrayal of the monster/supernatural, blurring the lines between reality and fantasy (Byron).
In Wordsworth's "I Wandered Lonely as a Cloud," the supernatural is depicted in a more serene and uplifting manner. The poem explores themes of nature, beauty, and transcendence, offering a sense of comfort and solace in the midst of life's struggles. The supernatural element in Wordsworth's work serves as a source of inspiration and wonder, providing a glimpse into the divine and mystical aspects of the natural world. Through his vivid imagery and evocative language, Wordsworth invites readers to contemplate the spiritual and transcendent power of nature, shaping our perception of the monster/supernatural in a more positive and optimistic light (Wordsworth).
Overall, the evolution of the idea of the monster/supernatural throughout the time periods and works we have studied this year demonstrates the diverse and multifaceted nature of this concept. From haunting Gothic tales to metaphorical critiques of society, from tragic figures to divine beauty, the monster/supernatural continues to captivate and intrigue readers across different literary genres and periods. As we delve deeper into these works, we are reminded of the enduring power and relevance of the monster/supernatural in shaping our understanding of human nature, society, and the world around us.
(Coleridge)
(Blake)
(Shelley)
(Byron)
(Wordsworth)