In "The Literature of East Asia and the Pacific Rim," Michael Harris quotes: Oh, East is East, and West is West, and never the twain shall meetWith this famous line, British writer Rudyard Kipling has captured the idea that the East and West are so radically different that their people can't possibly understand one anotherAgree or disagree with Kipling's statement, using examples from at least two of the selections you readBe sure to include the title of each selection you cite as evidence
I disagree with Kipling's statement that the East and West are so radically different that their people can't understand one another. While there are certainly cultural differences between the East and the West, there are also numerous instances in literature that showcase the ability of individuals from these regions to connect and understand one another. Two examples that challenge Kipling's assertion are "The Waiting Years" by Fumiko Enchi and "The Good Women of China" by Xinran.
In "The Waiting Years," Fumiko Enchi presents a story set in early 20th-century Japan, where traditional Japanese values and social norms heavily influence the characters' lives. The protagonist, Tomo, finds herself in an arranged marriage and must navigate the expectations placed on women in Japanese society. Despite the cultural differences between Japan and the West, there are universal themes in this novel that readers from any cultural background can relate to, such as love, sacrifice, and the desire for personal fulfillment. Through Enchi's storytelling, readers can empathize with Tomo's struggle and gain insight into the experiences of Japanese women from that era.
Similarly, in "The Good Women of China" by Xinran, the author presents a collection of true stories about women in China who have faced adversity and challenges in their lives. Xinran, a Chinese journalist, focuses on the experiences of these women to shed light on the social, cultural, and political issues in China. While there may be cultural differences between China and the Western world, the emotions and experiences of these women transcend boundaries. Xinran's powerful storytelling allows readers to connect with the innermost feelings and struggles of these Chinese women, fostering an understanding and empathy that bridges the gap between East and West.
These examples demonstrate that despite the perceived differences, literature has the power to connect people from different cultures and help them understand one another. The ability to empathize with characters from different backgrounds nurtures cultural exchange and dispels the notion that the East and West can never meet.