Compare the poems by Szymborska and Milosz read over the course of this unit. All are important twentieth century writers addressing a similar theme: death. Which poet addresses it in terms of the times he lived in (and its threat of fascism), and which addresses it in a more personal way? Characterize each poet’s treatment of this theme, citing evidence from the poems.
In comparing the poems by Szymborska and Milosz, we can observe differences in how they address the theme of death. Szymborska's poems, such as "The End and the Beginning," reflect a more personal exploration of death, while Milosz's poems, like "A Song on the End of the World," tackle it in terms of the historical context and the threat of fascism.
Szymborska's treatment of death is characterized by a sense of individual contemplation and introspection. Her poems often delve into the philosophical and existential aspects of mortality. In "The End and the Beginning," for instance, Szymborska explores how life must continue in the face of death, depicting the survival instinct of individuals after a war and the gradual rebuilding process. This emphasis on personal resilience and the human capacity to endure shines a light on Szymborska's focus on the individual's confrontation with mortality.
On the other hand, Milosz's treatment of death takes on a more external and socio-political perspective. His poems reflect the turbulent times he lived in, particularly the threat of fascism during the twentieth century. "A Song on the End of the World" presents a post-apocalyptic landscape, where war and destruction are imminent. It conveys a sense of collective responsibility and warns against societal complacency in the face of impending doom. Milosz's exploration of death encompasses not only the personal consequences but also the impact on society as a whole.
In summary, Szymborska approaches death in a more personal and introspective manner, emphasizing the human experience and individual responses. She contemplates the significance of survival and rebuilding after war. On the contrary, Milosz addresses death in terms of the historical context and societal implications, drawing attention to the threat of fascism and the need for collective vigilance. Both poets provide unique perspectives on the theme of death, offering different lenses through which to comprehend the complexity and impact of mortality.
Szymborska and Milosz, two prominent 20th-century poets, both delve into the theme of death in their poetry. However, their approaches differ in terms of addressing contemporary concerns and personal experiences. Szymborska examines death in relation to the times she lived in, particularly the threat of fascism, while Milosz confronts the theme in a more personal and introspective manner.
Szymborska's treatment of death is woven into the fabric of history and the collective experience during her lifetime. In her poem "The End and the Beginning," she reflects on the aftermath of World War II and the emergence of a new world order. The speaker in the poem describes the post-war reconstruction efforts, juxtaposing the humdrum activities of everyday life with the reality of death: "After every war someone has to tidy up... / What happened, what has happened, what's going on."
This emphasis on the aftermath of war and the threat of fascism is a prevalent theme in Szymborska's poetry. In "The Beheaded Pianist," she addresses death in the context of political oppression, particularly focusing on the danger posed by dictators: "The half-life of a dictatorial regime is always longer ... / Every time the dictator dies / each of his victims lives!"
On the other hand, Milosz delves into death from a more personal perspective, reflecting on his own mortality and the existential questions it raises. In "Song on the End of the World," Milosz contemplates the transience of human existence and the inevitable arrival of death. The poem is laden with existential ponderings and metaphysical musing, posing questions such as "In what mythology could we fit it... / What good is it to survive / If one must die?"
Milosz's treatment of death often veers towards philosophical introspection and the exploration of the human condition. In "Gift," he reflects on the finality of death and the intrinsic nature of life's fleeting moments. The poem suggests a personal reflection, with lines such as "I woke up in an age when suffering is justified by death," indicating Milosz contemplating his own existence within the context of mortality.
In conclusion, Szymborska and Milosz approach the theme of death in different ways. Szymborska interweaves the theme within the historical landscape of her time, addressing the threat of fascism and political oppression. Milosz, however, delves into a more personal and introspective examination of death, reflecting on the existential questions it raises. Both poets contribute unique perspectives to the exploration of mortality in the 20th century, showcasing the diverse ways in which poets engage with this timeless theme.
To compare the poems by Szymborska and Milosz regarding their treatment of the theme of death, we need to analyze their works and see how they address it. Let's start by identifying which poet addresses death in terms of the times he lived in and its threat of fascism.
First, we need to gather the poems written by both poets from the course material. Once we have those poems, we can proceed to compare them. It would be helpful to have an understanding of the historical context surrounding the poets and their works as well.
To determine which poet addresses death in terms of the times he lived in (and its threat of fascism), focus on the following steps:
1. Research the historical background of each poet, including the major events and ideologies prevalent during their lifetimes.
2. Identify poems by each poet that explicitly or implicitly address issues related to fascism, oppression, or totalitarian regimes.
3. Look for specific imagery, language, or references within the poems that connect to the historical context and the theme of death in relation to fascism.
By examining the historical context and analyzing the poems' content, you should be able to identify the poet who addresses death in terms of the times he lived in and its threat of fascism.
Now, let's move on to the poet who addresses death in a more personal way:
1. Read through the selected poems by both poets and pay close attention to the tone, language, and imagery used in relation to the theme of death.
2. Look for personal experiences, reflections, or emotions expressed by the poets regarding death.
3. Examine the use of metaphors or personal anecdotes that lend a subjective perspective to the theme of death.
By identifying the specific elements, imagery, and emotions employed by each poet, you can determine which one addresses death in a more personal manner.
Remember to include evidence from the poems to support your characterization of each poet's treatment of the theme of death. This evidence could be lines, stanzas, or specific examples that demonstrate their approach to the topic.
Taking these steps should enable you to compare the poems by Szymborska and Milosz, identify which poet addresses death in terms of the times he lived in and its threat of fascism, and which poet addresses death in a more personal way.