What type of cadence is in measure 16?

1 point
Authentic
Half
Genuine
Whole

The type of cadence in measure 16 cannot be determined based on the information provided.

To determine the type of cadence in measure 16, we need to consider the harmonic progression and the relationship between the chords. Unfortunately, without specific information about the key and the chords used in measure 16, it is not possible to identify the type of cadence.

To determine the type of cadence in measure 16, you would need to analyze the harmonic progression and the final chords of the measure. Here's how you can do that:

1. Identify the chords in measure 16: Look at the musical notation or the chord symbols indicated above the measure. Determine the specific chords played in this measure.

2. Analyze the harmonic progression: Examine the chord progression leading up to the final cadence in measure 16. Understand how the chords are functionally related to each other.

3. Identify the final chords: Find the last two chords of the measure, specifically the chord that ends on the downbeat of the last measure. These chords will give you the information needed to determine the cadence type.

Once you have identified the chords and analyzed the harmonic progression, you can identify the type of cadence. The options you mentioned are as follows:

- Authentic cadence: This is a cadence where the dominant chord (usually V) progresses to the tonic chord (usually I). In Roman numeral analysis, this would be denoted as V-I. If the final chords in measure 16 consist of a dominant chord followed by a tonic chord, then the cadence would be authentic.

- Half cadence: This is a cadence where the dominant chord (usually V) is followed by a non-tonic chord, often ending on the dominant. In Roman numeral analysis, this would be denoted as V-x, with x representing any non-tonic chord. If the final chords in measure 16 consist of a dominant chord followed by a non-tonic chord, it would be a half cadence.

- Genuine cadence: The term "genuine cadence" is not commonly used in music theory. It is possible that this refers to the term "authentic cadence" mentioned earlier.

- Whole cadence: There is no commonly recognized cadence type described as "whole." It is possible that this option is a misunderstanding or a term used in a specific context that is not typically employed in music theory.

In summary, to determine the exact type of cadence in measure 16, you need to analyze the harmonic progression and final chords specifically in that measure.