The Old Violin, by William Micheal Harniet.
Emphasis was created by:
A. Using similar colors throughout.
B. Creating a white square behind the violin.
C. Using only organic shapes in the painting.
D. Creating a radical design with lines coming from the violin.
D. Creating a radical design with lines coming from the violin.
The Old Violin, by William Michael Harniet, is a famous painting that showcases emphasis through various techniques. However, the specific technique used to create emphasis in this painting is not mentioned in the provided options. The painting does not solely rely on similar colors, a white square behind the violin, organic shapes, or a radical design with lines coming from the violin to create emphasis. If there are additional options available, I can help you determine the correct answer.
To determine the correct answer from the given options, we need to analyze the painting The Old Violin by William Micheal Harniet. The painting depicts an old violin, and the question asks about how emphasis was created in the artwork.
A. Using similar colors throughout: This option suggests that emphasis was created by using consistent colors throughout the painting. However, when observing The Old Violin, we can see that the artist used a range of colors, including warm browns, cool blues, and contrasting whites and blacks.
B. Creating a white square behind the violin: This option suggests that emphasis was created by placing a white square behind the violin. While this technique can create a sense of contrast and focal point, it is not applicable to The Old Violin as there is no white square behind the instrument.
C. Using only organic shapes in the painting: This option suggests that emphasis was achieved by exclusively using organic shapes in the composition. Organic shapes are typically freeform and flowing, contrasting with geometric shapes. However, in The Old Violin, the artist incorporates both geometric shapes, such as the rectangular frame and the straight lines of the violin, as well as organic shapes, such as the curves of the violin's body and the irregular texture of the wood.
D. Creating a radical design with lines coming from the violin: This option suggests that emphasis was created by using radical, or dramatic, lines that emanate from the violin. Although this description might fit some artworks, it does not accurately describe The Old Violin. The lines in the painting, such as the strings of the instrument and the wooden details, are relatively controlled and do not "radiate" in a radical manner.
Therefore, none of the given options accurately describe how emphasis was created in The Old Violin by William Micheal Harniet. It is important to analyze the artwork carefully, considering elements such as color, composition, contrast, and subject matter to determine how emphasis was achieved.