Excerpt from Part I, Chapter 7, The Mill on the Floss by George Eliot
"Heyday!" said aunt Glegg, with loud emphasis. "Do little boys and gells come into a room without taking notice of their uncles and aunts? That wasn't the way when I was a little gell."
"Go and speak to your aunts and uncles, my dears," said Mrs. Tulliver, looking anxious and melancholy. She wanted to whisper to Maggie a command to go and have her hair brushed. . . .
"Well, my dears," said Aunt Pullet, in a compassionate voice, "you grow wonderful fast. I doubt they'll outgrow their strength," she added, looking over their heads, with a melancholy expression, at their mother. “I think the gell has too much hair. I'd have it thinned and cut shorter, sister, if I was you; it isn't good for her health. It's that as makes her skin so brown, I shouldn't wonder. . . .”
"No, no," said Mr. Tulliver, "the child's healthy enough; there's nothing ails her. There's red wheat as well as white, for that matter, and some like the dark grain best. But it 'ud be as well if Bessy 'ud have the child's hair cut, so as it 'ud lie smooth."
. . . "Maggie," said Mrs. Tulliver, beckoning Maggie to her, and whispering in her ear, . . . "go and get your hair brushed, do, for shame. I told you not to come in without going to Martha first, you know I did."
"Tom come out with me," whispered Maggie, pulling his sleeve as she passed him… Tom followed Maggie upstairs into her mother's room, and saw her go at once to a drawer, from which she took out a large pair of scissors.
"What are they for, Maggie?" said Tom, feeling his curiosity awakened.
Maggie answered by seizing her front locks and cutting them straight across the middle of her forehead.
"Oh, my buttons! Maggie, you'll catch it!" exclaimed Tom; "you'd better not cut any more off."
Snip! went the great scissors again while Tom was speaking, and he couldn't help feeling it was rather good fun; Maggie would look so queer.
"Here, Tom, cut it behind for me," said Maggie, excited by her own daring, and anxious to finish the deed.
"You'll catch it, you know," said Tom, nodding his head in an admonitory manner, and hesitating a little as he took the scissors.
"Never mind, make haste!" said Maggie, giving a little stamp with her foot. Her cheeks were quite flushed.
The black locks were so thick, nothing could be more tempting to a lad who had already tasted the forbidden pleasure of cutting the pony's mane. I speak to those who know the satisfaction of making a pair of scissors meet through a duly resisting mass of hair. One delicious grinding snip, and then another and another, and the hinder-locks fell heavily on the floor, and Maggie stood cropped in a jagged, uneven manner, but with a sense of clearness and freedom, as if she had emerged from a wood into the open plain.
"Oh, Maggie," said Tom, jumping round her, and slapping his knees as he laughed, "Oh, my buttons! what a queer thing you look! Look at yourself in the glass . . . ."
Maggie felt an unexpected pang. She had thought beforehand chiefly at her own deliverance from her teasing hair and teasing remarks about it, and something also of the triumph she should have over her mother and her aunts by this very decided course of action; she didn't want her hair to look pretty,–that was out of the question,–she only wanted people to think her a clever little girl, and not to find fault with her. But now, when Tom began to laugh at her, and say she was like an idiot, the affair had quite a new aspect. She looked in the glass, and still Tom laughed and clapped his hands, and Maggie's cheeks began to pale, and her lips to tremble a little.
"Oh, Maggie, you'll have to go down to dinner directly," said Tom. "Oh, my!"
"Don't laugh at me, Tom," said Maggie, in a passionate tone, with an outburst of angry tears, stamping, and giving him a push.
"Now, then, spitfire!" said Tom. "What did you cut it off for, then? I shall go down: I can smell the dinner going in."
He hurried downstairs and left poor Maggie to that bitter sense of the irrevocable which was almost an every-day experience of her small soul. She could see clearly enough, now the thing was done, that it was very foolish, and that she should have to hear and think more about her hair than ever; for Maggie rushed to her deeds with passionate impulse, and then saw not only their consequences, but what would have happened if they had not been done, with all the detail and exaggerated circumstance of an active imagination. . . . .
Maggie, as she stood crying before the glass, felt it impossible that she should go down to dinner and endure the severe eyes and severe words of her aunts, while Tom and Lucy, and Martha, who waited at table, and perhaps her father and her uncles, would laugh at her; for if Tom had laughed at her, of course every one else would; and if she had only let her hair alone, she could have sat with Tom and Lucy, and had the apricot pudding and the custard! What could she do but sob? She sat as helpless and despairing among her black locks as Ajax among the slaughtered sheep. Very trivial, perhaps, this anguish seems to weather-worn mortals who have to think of Christmas bills, dead loves, and broken friendships; but it was not less bitter to Maggie—perhaps it was even more bitter—than what we are fond of calling antithetically the real troubles of mature life. "Ah, my child, you will have real troubles to fret about by and by," is the consolation we have almost all of us had administered to us in our childhood, and have repeated to other children since we have been grown up. We have all of us sobbed so piteously, standing with tiny bare legs above our little socks, when we lost sight of our mother or nurse in some strange place; but we can no longer recall the poignancy of that moment and weep over it, as we do over the remembered sufferings of five or ten years ago. Every one of those keen moments has left its trace, and lives in us still, but such traces have blent themselves irrecoverably with the firmer texture of our youth and manhood; and so it comes that we can look on at the troubles of our children with a smiling disbelief in the reality of their pain. . . .
Slowly [Maggie] rose from amongst her scattered locks, and slowly she made her way downstairs. Then she stood leaning with one shoulder against the frame of the dining-parlour door, peeping in when it was ajar. She saw Tom and Lucy with an empty chair between them, and there were the custards on a side-table; it was too much. She slipped in and went toward the empty chair. But she had no sooner sat down than she repented and wished herself back again.
Mrs. Tulliver gave a little scream as she saw her, and felt such a "turn" that she dropped the large gravy-spoon into the dish, with the most serious results to the table-cloth… Mrs. Tulliver's scream made all eyes turn towards the same point as her own, and Maggie's cheeks and ears began to burn, while uncle Glegg, a kind-looking, white-haired old gentleman, said, . . .
"Heyday! what little gell's this? Why, I don't know her. Is it some little gell you've picked up in the road, Kezia?"
"Why, she's gone and cut her hair herself," said Mr. Tulliver in an undertone to Mr. Deane, laughing with much enjoyment. . . .
"Why, little miss, you've made yourself look very funny," said Uncle Pullet, and perhaps he never in his life made an observation which was felt to be so lacerating.
"Fie, for shame!" said aunt Glegg, in her loudest, severest tone of reproof. "Little gells as cut their own hair should be whipped and fed on bread and water,—not come and sit down with their aunts and uncles. . . . "
"She's a naughty child, as'll break her mother's heart," said Mrs. Tulliver, with the tears in her eyes.
Maggie seemed to be listening to a chorus of reproach and derision. Her first flush came from anger, which gave her a transient power of defiance, and Tom thought she was braving it out, supported by the recent appearance of the pudding and custard. Under this impression, he whispered, "Oh, my! Maggie, I told you you'd catch it." He meant to be friendly, but Maggie felt convinced that Tom was rejoicing in her ignominy. Her feeble power of defiance left her in an instant, her heart swelled, and getting up from her chair, she ran to her father, hid her face on his shoulder, and burst out into loud sobbing.
"Come, come, my wench," said her father, soothingly, putting his arm round her, "never mind; you was i' the right to cut it off if it plagued you; give over crying; father'll take your part."
Delicious words of tenderness! Maggie never forgot any of these moments when her father "took her part"; she kept them in her heart, and thought of them long years after, when every one else said that her father had done very ill by his children.
Use the passage to answer the question.
In the passage, the effect of the simile the narration uses to describe Maggie’s initial response to cutting her hair is to express Maggie’s sense of
A.
panic.
B.
independence.
C.
regret.
D.
bewilderment.
E.
defiance.
Previous
Next