What is the significance (symbolism and/or metaphor) of the tapestries that hang in the new abode of Dimmesdale? How might the tapestry relate to Dimmesdale?
In Nathaniel Hawthorne's novel "The Scarlet Letter," the tapestries that hang in the new abode of Dimmesdale hold significant symbolism and metaphorical implications. They serve as a reflection of Dimmesdale's inner turmoil and further highlight his concealed guilt and hypocrisy.
The tapestries are described as rich and intricate, depicting various scenes from biblical narratives. They are seen as beautiful outward decorations and representations of righteousness, piety, and purity. However, underneath their superficial appearance, they hide a deeper message that resonates with Dimmesdale's own life and struggles.
The tapestries can be understood as a parallel to Dimmesdale's public persona. Just as the minister appears righteous and moral to the townspeople, the tapestries present an illusion of religious devotion and virtue. However, this façade masks the truth of Dimmesdale's guilt and hidden sin.
Furthermore, the tapestries serve as a reminder of Dimmesdale's ongoing hypocrisy. He preaches about virtue, adherence to moral principles, and spiritual purity, while secretly harboring his own sin, which ultimately leads to his deteriorating health and inner torment. Similarly, the tapestries may represent the stark contrast between Dimmesdale's public persona and his true self.
The tapestries can also be seen as a metaphor for the entrapment and confinement of Dimmesdale's conscience, serving as a constant reminder of the weight he carries. They hang on the walls, enclosing him within an environment that symbolizes his own guilt and psychological burden.
Lastly, the tapestries may suggest the impossibility of escaping one's inner demons. Dimmesdale cannot remove or replace the tapestries, just as he cannot escape the consequences of his actions. The tapestries remain a constant presence in his life, serving as a constant reminder of his struggle and the conflict between his public and private identities.
In conclusion, the significance of the tapestries in Dimmesdale's new abode lies in their symbolism and metaphorical implications, reflecting his inner turmoil, concealed guilt, and hypocrisy. They act as a representation of his public persona, his entrapment, and the impossibility of escaping one's inner demons.