Identify all irony in the monologue below
Now is the winter of our discontent
Made glorious summer by this sun of York;
And all the clouds that lour'd upon our house
In the deep bosom of the ocean buried.
Now are our brows bound with victorious wreaths;
Our bruised arms hung up for monuments; Our stern alarums chang'd to merry meetings, Our dreadful marches to delightful measures. Grim-visag'd war hath smooth'd his wrinkled front, And now, instead of mounting barbed steeds To fright the souls of fearful adversaries, He capers nimbly in a lady's chamber To the lascivious pleasing of a lute. But I-that am not shap'd for sportive tricks, Nor made to court an amorous looking-glass- I-that am rudely stamp'd, and want love's majesty To strut before a wanton ambling nymph- I-that am curtail'd of this fair proportion, Cheated of feature by dissembling nature, Deform'd, unfinish'd, sent before my time Into this breathing world scarce half made up, And that so lamely and unfashionable That dogs bark at me as I halt by them-
1. The irony in the line "Now is the winter of our discontent / Made glorious summer by this sun of York" is that the speaker is referring to Richard III, who is often portrayed as a villain, as the "sun of York", which is a metaphor for the positive change he brings.
2. The irony in the line "And all the clouds that lour'd upon our house / In the deep bosom of the ocean buried" is that the speaker is implying that all the troubles and obstacles they faced have been completely overcome and forgotten, which is unlikely to be true.
3. The irony in the line "Our bruised arms hung up for monuments" is that the speaker suggests their previous battles and conflicts are now viewed as something to celebrate and admire, whereas in reality, war and violence are often seen as unfortunate and tragic.
4. The irony in the line "Our stern alarums chang'd to merry meetings" is that the speaker implies that their serious and intense military alerts and alarms have been replaced with joyful and lighthearted gatherings, which is a stark contrast to the usual purpose and atmosphere of such events.
5. The irony in the line "Grim-visag'd war hath smooth'd his wrinkled front" is that war, often associated with suffering and destruction, is described as having become pleasant and attractive.
6. The irony in the line "He capers nimbly in a lady's chamber / To the lascivious pleasing of a lute" is that war, typically associated with aggression and violence, is portrayed as engaging in a frivolous and sensual activity.
7. The irony in the line "But I-that am not shap'd for sportive tricks" is that the speaker, who is Richard III, is known for his manipulative and cunning personality, yet he claims he is not made for playful or deceptive acts.
8. The irony in the line "I-that am rudely stamp'd, and want love's majesty / To strut before a wanton ambling nymph" is that Richard III, a deceitful and ambitious character, portrays himself as lacking the charm and grace necessary to win over a flirtatious woman.
9. The irony in the line "I-that am curtail'd of this fair proportion, / Cheated of feature by dissembling nature" is that Richard III, who is physically deformed and disfigured, claims that his appearance does not match societal standards of beauty.
10. The irony in the line "Deform'd, unfinish'd, sent before my time / Into this breathing world scarce half made up" is that Richard III, who is often portrayed as a malicious and scheming individual, presents himself as a victim of circumstances beyond his control, suggesting that he was born incomplete or prematurely.
11. The irony in the line "And that so lamely and unfashionable / That dogs bark at me as I halt by them" is that Richard III, who is known for being a skilled and ruthless manipulator, adopts the role of a pitiable and powerless figure, claiming that even animals mock him.