“Asleep In Armageddon”

By Ray Bradbury
The darkness.

He was not unconscious.

Your name? asked hidden voices. Sale, he replied in whirling nausea. Leonard Sale. Occupation, cried the voices. Spaceman! he cried, alone in the night. Welcome, said the voices. Welcome, welcome. They faded.

He stood up in the wreckage of his ship. It lay like a folded, tattered garment around him.

The sun rose and it was morning.

Sale pried himself out the small airlock and stood breathing the atmosphere. Luck. Sheer luck. The air was breathable. An instant’s checking showed him that he had two months’ supply of food with him. Fine, fine! And this—he fingered at the wreckage. Miracle of miracles! The radio was intact.

He stuttered out the message on the sending key. CRASHED ON PLANETOID 787. SALE. SEND HELP. SALE. SEND HELP.

The reply came instantly: HELLO, SALE. THIS IS ADDAMS IN MARSPORT. SENDING RESCUE SHIP LOGARITHM. WILL ARRIVE PLANETOID 787 IN SIX DAYS. HANG ON.

Sale did a little dance.

It was simple as that. One crashed. One had food. One radioed for help. Help came. La! He clapped his hands.

The sun rose and was warm. He felt no sense of mortality. Six days would be no time at all. He would eat, he would read, he would sleep. He glanced at his surroundings. No dangerous animals; a tolerable oxygen supply. What more could one ask. Beans and bacon, was the answer. The happy smell of breakfast filled the air.

After breakfast he nodded contentedly. What a life! Not a scratch on him. Luck. Sheer luck.

His head nodded. Sleep, he thought.

Good idea. Forty winks. Plenty of time to sleep, take it easy. Six whole long, luxurious days of idling and philosophizing. Sleep.

He stretched himself out, tucked his arm under his head, and shut his eyes.

Insanity came in to take him. The voices whispered.

Sleep, yes, sleep, said the voices. Ah, sleep, sleep.

He opened his eyes. The voices stopped. Everything was normal. He shrugged. He shut his eyes casually, fitfully. He settled his long body.

Eeeeeeeeeeee, sang the voices, far away.

Ahhhhhhh, sang the voices.

Sleep, sleep, sleep, sleep, sleep, sang the voices.

Ooooooooooooooo, cried the voices.

He sat up. He shook his head. He put his hands to his ears. He blinked at the crashed ship. Hard metal. He felt the solid rock under his fingers. He saw the real sun warming the blue sky.

___

Adapted from “Asleep In Armageddon,” by Ray Bradbury, Public domain.

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Questions
How does the narrator’s perspective impact the story?

The third-person narrator uses their omniscience to describe where the voices are coming from, which makes the story less suspenseful.

The third-person narrator is limited to Sale’s perspective, so readers do not know where he crashed his ship, which makes the story more suspenseful.

The third-person narrator uses their omniscience to foreshadow at the story’s upcoming conflict between Sale, Addams, and the voices.

The third-person narrator is limited to Sale’s perspective, so readers do not know where the voices are coming from, which makes the story more suspenseful.

The third-person narrator is limited to Sale’s perspective, so readers do not know where the voices are coming from, which makes the story more suspenseful. This creates a sense of mystery and unease as the reader is left wondering about the origin of the voices and what they might mean for Sale’s safety.