Eleven-year-old Thea, an aspiring vocalist, teaches piano lessons in Moonstone, Colorado, in the late 1800s.
from The Song of the Lark
by Willa Cather
1
Winter was long in coming that year. Throughout October the days were bathed in sunlight and the air was clear as crystal. The town kept its cheerful summer aspect, the desert glistened with light, the sand hills every day went through magical changes of color. The scarlet sage bloomed late in the front yards, the cottonwood leaves were bright gold long before they fell, and it was not until November that the green on the tamarisks began to cloud and fade. There was a flurry of snow about Thanksgiving, and then December came on warm and clear.
2
Thea had three music pupils now, little girls whose mothers declared that Professor Wunsch was “much too severe.” They took their lessons on Saturday, and this, of course, cut down her time for play. She did not really mind this because she was allowed to use the money—her pupils paid her twenty-five cents a lesson—to fit up a little room for herself upstairs in the half-story. It was the end room of the wing, and was not plastered, but was snugly lined with soft pine. The ceiling was so low that a grown person could reach it with the palm of the hand, and it sloped down on either side. There was only one window, but it was a double one and went to the floor. In October, while the days were still warm, Thea and Tillie papered the room, walls and ceiling in the same paper, small red and brown roses on a yellowish ground. Thea bought a brown cotton carpet, and her big brother, Gus, put it down for her one Sunday. She made white cheesecloth curtains and hung them on a tape. Her mother gave her an old walnut dresser with a broken mirror, and she had her own dumpy walnut single bed, and a blue washbowl and pitcher which she had drawn at a church fair lottery. At the head of her bed she had a tall round wooden hat-crate, from the clothing store. This, standing on end and draped with cretonne, made a fairly steady table for her lantern. She was not allowed to take a lamp upstairs, so Ray Kennedy gave her a railroad lantern by which she could read at night.
3
In winter this loft room of Thea’s was bitterly cold, but against her mother’s advice—and Tillie’s—she always left her window open a little way. Thea asked Dr. Archie about the window, and he told her that a girl who sang must always have plenty of fresh air, or her voice would get husky, and that the cold would harden her throat. The important thing, he said, was to keep your feet warm. On very cold nights Thea always put a brick in the oven after supper, and when she went upstairs she wrapped it in an old flannel petticoat and put it in her bed. The boys, who would never heat bricks for themselves, sometimes carried off Thea’s, and thought it a good joke to get ahead of her.
4
When Thea first plunged in between her red blankets, the cold sometimes kept her awake for a good while. After half an hour or so, a warm wave crept over her body and round, sturdy legs; she glowed like a little stove with the warmth of her own blood, and the heavy quilts and red blankets grew warm wherever they touched her, though her breath sometimes froze on the coverlid. Before daylight, her internal fires went down a little, and she often wakened to find herself drawn up into a tight ball, somewhat stiff in the legs. But that made it all the easier to get up.
5
The acquisition of this room was the beginning of a new era in Thea’s life. It was one of the most important things that ever happened to her. Hitherto, except in summer, when she could be out of doors, she had lived in constant turmoil; the family, the day school. The clamor about her drowned the voice within herself. In the end of the wing, separated from the other upstairs sleeping-rooms by a long, cold, unfinished lumber room, her mind worked better. She thought things out more clearly. Pleasant plans and ideas occurred to her which had never come before. She had certain thoughts which were like companions, ideas which were like older and wiser friends. She left them there in the morning, when she finished dressing in the cold, and at night, when she came up with her lantern and shut the door after a busy day, she found them awaiting her.
6
From the time when she moved up into the wing, Thea began to live a double life. During the day, when the hours were full of tasks, she was one of the Kronborg children, but at night she was a different person. On Friday and Saturday nights she always read for a long while after she was in bed. She had no clock, and there was no one to nag her.
Read the excerpt from The Song of the Lark. Based on the information in the excerpt, write a response to the following:
Explain how acquiring the loft room changes Thea.
Write a well-organized informational composition that uses specific evidence from the excerpt to support your answer. Your response must be 2-3 paragraphs in length.
The acquisition of the loft room significantly changes Thea in several ways. Firstly, it provides her with a space of her own where she can escape from the constant noise and chaos of her family and school life. This newfound solitude allows her mind to work better, and she is able to think more clearly and come up with pleasant plans and ideas that she had never thought of before. The room becomes a sanctuary where she can retreat to and be alone with her thoughts.
Furthermore, the loft room allows Thea to live a double life. During the day, she is just one of the Kronborg children, but at night she becomes a different person. With no one to nag her and without the constraints of time, she is able to read for as long as she wants after she gets into bed. This activity not only provides her with a source of enjoyment and entertainment, but it also helps her develop her intellect and broaden her horizons. The loft room gives her the freedom and independence that she craves, enabling her to grow as an individual and pursue her interests and passions, such as her love for music.
Overall, acquiring the loft room brings about a significant transformation in Thea's life. It gives her a physical space where she can find solitude and escape from the chaos of her everyday life, allowing her thoughts to flow freely. It also enables her to lead a double life, with the nighttime providing her with the freedom to read and explore her interests without any interruptions. The loft room becomes a place where she can truly be herself and foster her personal growth, ultimately shaping her into the aspiring vocalist she is meant to become.