Alexander the Great in His Conquest of Asia
by Marzio di Colantonio
The Walters Art Museum, Baltimore
How has Colantonio used visual composition to communicate the glory of war in Alexander the Great and His Conquest of Asia?
Colantonio shows exuberant soldiers celebrating their victory.
Colantonio shows powerful Alexander slaying his enemy.
Colantonio shows strong soldiers training for battle.
Colantonio shows eager soldiers with weapons raised in pursuit.
Colantonio has used visual composition to communicate the glory of war in Alexander the Great and His Conquest of Asia in several ways:
1. Exuberant soldiers celebrating their victory: Colantonio portrays the soldiers in a celebratory manner, highlighting their joy and enthusiasm after winning battles. Their gestures, expressions, and body language convey a sense of triumph and pride.
2. Powerful Alexander slaying his enemy: Colantonio depicts Alexander as a dominant and fearless figure, showcasing his strength and command on the battlefield. The way Alexander is shown slaying his enemy emphasizes his prowess and bravery in combat.
3. Strong soldiers training for battle: Colantonio portrays soldiers engaged in rigorous physical training, emphasizing their discipline, determination, and readiness for battle. This composition conveys the idea of a well-prepared and formidable army, adding to the sense of glory and success in war.
4. Eager soldiers with weapons raised in pursuit: Colantonio depicts soldiers actively engaged in pursuing the enemy, with their weapons raised and ready for action. This composition conveys a sense of urgency, determination, and relentless pursuit, creating an atmosphere of power and excitement associated with the glory of war.
By using these visual compositions, Colantonio effectively communicates the glory of war in Alexander the Great and His Conquest of Asia, showcasing the victorious soldiers, the power of Alexander, the strength of the army, and the intensity of battle.
what is the answer
The answer is that Colantonio has used visual compositions of exuberant soldiers celebrating their victory, powerful Alexander slaying his enemy, strong soldiers training for battle, and eager soldiers with weapons raised in pursuit to communicate the glory of war in Alexander the Great and His Conquest of Asia.
A fabric artist creates the elaborate banners that will be carried into battle. What role in the conflict is this artist taking on?
supporting the troops
documenting history
raising awareness of an issue
protesting of an event or circumstance
The role that the fabric artist is taking on in this conflict is supporting the troops.
A magazine photographer publishes a book of two years’ worth of images on the war in the Middle East. Why is it important for the public to view this collection of art?
It is important as a way to inspire war protests.
It is important as a way to raise money for troops.
It is important as a way to raise awareness of the conflict.
It is important as a way to support the government.
The correct answer is: It is important as a way to raise awareness of the conflict. By viewing this collection of art, the public gains insight into the war in the Middle East and can develop a better understanding of its impact and consequences. These images can provide a more nuanced and comprehensive perspective on the conflict, allowing individuals to be informed and engaged in discussions and actions related to the war.
Which statement best describes the differences between architectural developments in Russian and Inca culture?
Russian architecture used few expensive materials; Inca architecture used plenty of gold
Russian architecture was built to withstand earthquakes; Inca architecture was weak
Russian architecture extravagant, Inca architecture was elegantly simple.
Russian architecture emphasized the rectangle; Inca architecture emphasized the sphere.
The statement that best describes the differences between architectural developments in Russian and Inca culture is:
Russian architecture emphasized the rectangle; Inca architecture emphasized the sphere.
How could an observer distinguish the home of a rich Inca from a regular citizen?
homes of the wealthy were made with wood
homes of the wealthy had no trapezoid shapes
homes of the wealthy had stone roofs
homes of the wealthy had no mortar
homes of the wealthy had no mortar