Use the script to answer the question.

LIZ: (suddenly) Julian! We have to turn around. I think I left the oven on at the house!

JULIAN: What! I thought you turned it off before we left.

LIZ: I thought I did, too, but I'm not sure.

JULIAN: (frustrated) We are nearly 10 miles away at this point. We can't just turn around. Can you call Michelle and see if she can use her spare key to check for us?

LIZ: Michelle is visiting her sister in Michigan this weekend, remember?

JULIAN: What about Carlos? Doesn't he have a spare key?

LIZ: (with a sigh of relief) You're right! I'm going to call him right now.

In one to two sentences, analyze how the stage directions would impact the way actors perform this scene.

The stage directions give cues for the characters' emotions and actions, such as Liz suddenly exclaiming and Julian becoming frustrated. Actors would need to use these cues to accurately portray the characters' reactions.

Analyzing Literary Text Unit Test

14 of 1614 of 16 Items

Question
Use the excerpt from Peter Pan to answer the question.

Mrs. Darling came to the window, for at present she was keeping a sharp eye on Wendy. She told Peter that she had adopted all the other boys, and would like to adopt him also.

“Would you send me to school?” he inquired craftily.

"Yes.”

“And then to an office?”

"I suppose so.”

“Soon I would be a man?”

“Very soon.”

“I don’t want to go to school and learn solemn things,” he told her passionately. “I don’t want to be a man. O Wendy’s mother, if I was to wake up and feel there was a beard!”

“Peter,” said Wendy the comforter, “I should love you in a beard;” and Mrs. Darling stretched out her arms to him, but he repulsed her. “Keep back, lady, no one is going to catch me and make me a man.”

“But where are you going to live?”

“With Tink in the house we built for Wendy. The fairies are to put it high up among the treetops where they sleep at nights.”

“How lovely,” cried Wendy so longingly that Mrs. Darling tightened her grip.

“I thought all the fairies were dead,” Mrs. Darling said.

"There are always a lot of young ones,” explained Wendy, who was now quite an authority, “because you see when a new baby laughs for the first time a new fairy is born, and as there are always new babies there are always new fairies. They live in nests on the tops of trees; and the mauve ones are boys and the white ones are girls, and the blue ones are just little sillies who are not sure what they are.”

“I shall have such fun,” said Peter, with one eye on Wendy.

“It will be rather lonely in the evening,” she said, “sitting by the fire.”

“I shall have Tink.”

In one to two sentences, determine how Wendy's point of view changes as the dialogue continues.

(2 points)

At first, Wendy is seeking to comfort Peter and assure him that she would still love him, even if he had a beard. However, as the dialogue continues, Wendy becomes increasingly enthusiastic about the idea of living with Peter and Tinker Bell in the treetops with the fairies.

Answer the question for me.

Wendy's point of view changes from initially comforting Peter to becoming enthusiastic about the idea of living with Peter and Tinker Bell in the treetops with the fairies as the dialogue continues.

Use the poem "Recuerdo" by Edna St. Vincent Millay to complete the activity.

(1) We were very tired, we were very merry—

We had gone back and forth all night on the ferry.

It was bare and bright, and smelled like a stable—

But we looked into a fire, we leaned across a table,

We lay on a hill-top underneath the moon;

And the whistles kept blowing, and the dawn came soon.

(2) We were very tired, we were very merry—

We had gone back and forth all night on the ferry;

And you ate an apple, and I ate a pear,

From a dozen of each we had bought somewhere;

And the sky went wan, and the wind came cold,

And the sun rose dripping, a bucketful of gold.

(3) We were very tired, we were very merry,

We had gone back and forth all night on the ferry.

We hailed, “Good morrow, mother!” to a shawl-covered head,

And bought a morning paper, which neither of us read;

And she wept, “God bless you!” for the apples and pears,

And we gave her all our money but our subway fares.



In one to two sentences, explain how the repeated lines contribute to the overall meaning of the poem.

The repeated lines "We were very tired, we were very merry— / We had gone back and forth all night on the ferry" contribute to the overall meaning of the poem by emphasizing the sense of exhaustion and joy experienced by the speaker after spending a long night traveling back and forth on the ferry. It highlights the contrast between the weariness of the journey and the camaraderie and enjoyment of the shared experience.

Use the excerpt from the poem "Late September" by Amy Lowell to answer the question.

Warmth of earth, and cloudless wind

Tearing off the husky rind,

Blowing feathered seeds to fall

By the sun-baked, sheltering wall.

In three to five sentences, explain how the poet uses figurative language to express meaning in this stanza.

In this stanza, the poet uses figurative language to paint a vivid image of the changing of seasons. The personification of the wind tearing off the husky rind and blowing the feathered seeds creates a sense of dynamic movement and action in the natural world. The metaphor of the sun-baked, sheltering wall suggests a sense of comfort and protection that contrasts with the coming chill of autumn. Overall, the vivid language helps to convey a sense of nostalgia and appreciation for the fleeting beauty of late summer.

The stage directions in this script would prompt the actors to show urgency, frustration, relief, and quick movements as they try to come up with a solution for the situation. These directions would influence the pacing and intensity of their performance.