Your classmate Mark loves Impressionist paintings. He tells you all about the characteristics of these paintings. Which of his statements about Impressionist paintings is CORRECT?

A.
The paintings feature long, continuous brushstrokes.

B.
Instead of shadows being black or gray, the artists use colored shadows.

C.
There is a focus on sharp, defined edges to the forms within the paintings.

D.
The artists use thin paint on the canvas to create a smooth finish.

A. The paintings feature long, continuous brushstrokes is a correct statement about Impressionist paintings.

To determine which of Mark's statements about Impressionist paintings is correct, we can examine the characteristics commonly associated with this art movement.

A. The statement about long, continuous brushstrokes is correct. Impressionist painters often used loose brushwork, applying paint in dabs, strokes, and dashes. This technique aimed to capture the fleeting nature of light and atmosphere.

B. The statement about colored shadows is correct. In Impressionism, shadows are not portrayed as black or gray but instead are infused with colors that complement the overall scene. This technique creates a sense of vibrancy and captures the changing colors and reflections in the environment.

C. The statement about sharp, defined edges is incorrect. Impressionist paintings tend to have softer and more blurred edges. The artists aimed to give importance to the overall impression and atmospheric effects rather than focusing on precise details and defined forms.

D. The statement about thin paint on the canvas for a smooth finish is incorrect. Impressionist painters often used thick and visible brushstrokes, building up layers of paint to create texture and a sense of movement.

Based on these characteristics, the correct statement out of the options provided is A. The paintings feature long, continuous brushstrokes.

A. The statement "The paintings feature long, continuous brushstrokes" is CORRECT.

Impressionist paintings are characterized by the use of visible, individual brushstrokes that are often applied in a loose and spontaneous manner. Artists use long, continuous brushstrokes to capture the essence of the subject and to create a sense of movement and texture in the painting. This technique allows the viewer to observe the painting from a closer distance and see the different layers of paint and colors that make up the image.