In a shift from earlier thinking, the social status of nineteenth-century composers became equivalent to that of
A. lords and courtiers.
B. tailors and hatters.
C. woodworkers and carriage builders.
D. painters and poets.
And you think its ... ?
i think its D , is that right?
I agree.
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To determine the correct answer, we need to understand the social status of nineteenth-century composers.
The best approach is to study the history of the nineteenth-century and examine the social context of composers during that time. By doing some research, we can uncover information about the social status and perception of composers.
During the nineteenth-century, music underwent significant changes with the emergence of Romanticism. Composers like Ludwig van Beethoven, Franz Schubert, and Frédéric Chopin gained prominence during this period.
Composers were considered artists and had a higher social status compared to some other professions. They were praised for their creative abilities and their contributions to the arts. However, they were not on the same level as lords and courtiers, as suggested by option A.
Tailors and hatters, as mentioned in option B, were not generally regarded with the same level of esteem as composers. While these professions were important, they did not have the same level of cultural and artistic recognition.
Woodworkers and carriage builders, as mentioned in option C, were part of skilled trades. While they had their own level of expertise, they were not associated with the same artistic realm as composers.
Option D suggests that composers' social status was equivalent to that of painters and poets. This aligns more closely with the historical context. During the nineteenth-century, composers, painters, and poets were all considered part of the artistic elite. They often interacted and collaborated with each other, sharing similar social circles and earning recognition for their creative works.
Based on this information, the correct answer would be D. Composers in the nineteenth-century had a social status equivalent to that of painters and poets.