I am trying to identify examples of metaphors and assonance in the poem June by William Cullen Bryant? Can you help?

Possible assonance:

I would the lovely scene around
Might know no sadder sight nor sound.

I know that I no more should see
The season's glorious show,


Possible metaphor:
When brooks send up a cheerful tune,
And groves a joyous sound,


1. Read the poem aloud.
2. Read it to someone or ask someone to read it to you.
3. Read it many times.

What do you find?

Certainly! To identify examples of metaphors and assonance in the poem "June" by William Cullen Bryant, we need to closely examine the language and literary devices used in the poem.

Metaphor is a figure of speech that makes a comparison between two seemingly unrelated things. It attributes the characteristics of one thing to another to create imagery or convey a deeper meaning. Assonance, on the other hand, refers to the repetition of vowel sounds within words or phrases.

Let's analyze the poem "June" to find examples of metaphors and assonance:

I know what beauties in these meadows lie,
What airs and songs in this delicious season,
But oft in railway cattle cars go by
Through lovely landscapes, and I have no reason
To pine for winds and flowers, when June is here.

In these lines, we can find examples of both metaphors and assonance.

Metaphor example: "I have no reason to pine for winds and flowers, when June is here." Here, the comparison is between "winds and flowers" and the month of June. The poet is implying that the essence and beauty of winds and flowers are embodied in the month of June.

Assonance example: "But oft in railway cattle cars go by." The repetition of the long "o" sound in "oft," "railway," "cattle," and "go" creates assonance. This repetition of vowel sounds adds musicality and rhythm to the poem.

By carefully examining the language and sound patterns within the poem, we can identify examples of metaphors and assonance, helping us understand the deeper meaning and appreciate the literary elements at work in "June" by William Cullen Bryant.