What literary devices are used in "To be or not to be that is the question" from Hamlet? I have to analyze the speech and I would like to know if my interpretation is correct. Hamlet is talking to himself and he is debating whether he wants to live or not because Ophelia has died and he is depressed with the situations in his life. Would that be correct?

Almost.

Ophelia has not yet died when this soliloquy is given. She is onstage, pretending to read a book after receiving instructions from her father about her behavior.

Hamlet is definitely feeling "down" about the situations in his life, but up to this point, those situations center around his parents: his murdered father whose ghost demands revenge; and his mother who remarried too soon, in Hamlet's opinion, and to the murderer of his father, at that. (See the soliloquy in Act I, scene ii, ll. 129+)

In the "To be or not to be" soliloquy, in addition to expressing his ongoing contemplation of suicide, he also relates his fear of the after-life if he were to commit suicide. (Act III, scene i, ll. 79-84). This is one of those elements in this play that reflects the beliefs of Christianity.

Read more about this play here:

(Broken Link Removed)

http://shakespeare.palomar.edu/

http://www.shakespeare.com/

http://www.shakespeare-online.com/

http://www.bardweb.net/

http://absoluteshakespeare.com/index.htm

=)

Yes, your interpretation of the context is correct. In the famous soliloquy "To be or not to be that is the question" from William Shakespeare's play Hamlet, the main character is contemplating the meaning of life and contemplating suicide. There are several literary devices used in this speech, which I'll explain to help you with your analysis.

1. Metaphor: The phrase "To be or not to be" uses a metaphor to represent the concept of existence versus non-existence. Hamlet is essentially asking whether it is better to live or to die.

2. Alliteration: Throughout the speech, there are instances of alliteration where certain words or sounds are repeated. For example, "the slings and arrows of outrageous fortune" or "the dread of something after death." This technique adds a rhythmic quality to the speech and emphasizes the key phrases.

3. Antithesis: Antithesis is the use of contrasting ideas or phrases to create emphasis. In this speech, Hamlet contrasts the ideas of "being" (to live) and "not being" (to die).

4. Repetition: The repetition of "To be or not to be" and "that is the question" emphasizes the central dilemma and adds a sense of urgency to the speech. It also helps to structure and unify the thoughts.

5. Rhetorical question: The entire speech is composed of rhetorical questions, where Hamlet poses questions to himself to express his inner turmoil and exploration of life's purpose.

As you analyze the speech, you can delve deeper into how these literary devices contribute to the overall theme, emotions, and character development in Hamlet. Remember to support your interpretation with evidence from the text itself.

Yes, your interpretation of the context in which "To be or not to be, that is the question" is spoken is generally correct. In this famous soliloquy from William Shakespeare's play Hamlet, the protagonist Hamlet is contemplating the meaning of life and the decision between living ("to be") or dying ("not to be").

In terms of literary devices used in this line, there are a few that can be identified:

1. Metaphor: The line "To be or not to be" is a metaphorical expression that represents the choice between continuing to live or opting for death. The use of two contrasting states, existence and non-existence, creates a powerful image.

2. Antithesis: The phrase "that is the question" sets up an antithesis, contrasting the two choices. The opposition between "to be" and "not to be" emphasizes the dilemma faced by Hamlet.

3. Alliteration: The repeated "b" sound in "to be or not to be" creates alliteration. Alliteration is a poetic device that involves the repetition of consonant sounds, which can enhance the musicality and rhythm of a line.

Overall, this line serves as a pivotal moment in the play, reflecting Hamlet's introspection and internal struggle with his circumstances and existential questions.