the chant was incorporated into several musical works of the romantic period
a. kyrie
b. agnus dei
c. dies irae
d. credo
Unless you indicate what you believe these answers are, I doubt if you're going to get these answers.
It looks like you're an "answer moocher."
Please do not post any more questions without your answer.
i think the answer is c
I think you're right.
To determine which chant was incorporated into several musical works of the Romantic period, we need to understand the characteristics and history of each chant option.
a. Kyrie: The Kyrie chant is a part of the Catholic Mass and usually comes after the opening prayers. It is a prayer for mercy and is typically in Greek, consisting of repeated phrases like "Kyrie, eleison" (Lord, have mercy) and "Christe, eleison" (Christ, have mercy).
b. Agnus Dei: The Agnus Dei chant is also part of the Catholic Mass and is typically sung during the liturgy of the Eucharist. It is a prayer for peace and includes the repeated phrase "Agnus Dei, qui tollis peccata mundi" (Lamb of God, who takes away the sins of the world).
c. Dies Irae: The Dies Irae chant is part of the Latin Requiem Mass, which is a Mass for the dead. It is a powerful and dramatic chant that describes the Day of Judgment and is often associated with fear and doom. It includes the phrase "Dies irae, dies illa" (Day of wrath, that day).
d. Credo: The Credo chant is part of the Catholic Mass and is a statement of faith. It is a profession of belief in the teachings of the Church, often including phrases like "Credo in unum Deum" (I believe in one God) and "Et incarnatus est" (And by the Holy Spirit was incarnate).
Considering the characteristics of the chants, the chant that was most commonly incorporated into several musical works of the Romantic period is the "Dies Irae" (c). Its dramatic and intense nature made it a popular choice for composers during this period, particularly in works that dealt with themes of death, judgment, or extreme emotions.
It is worth mentioning that the "Dies Irae" chant was used by numerous composers in their symphonies, requiems, and other choral works during the Romantic period. Some notable examples include Berlioz's "Symphonie fantastique," Verdi's "Requiem," and Liszt's "Totentanz."
To be absolutely certain about which chant was incorporated into several musical works of the Romantic period, further research or consulting specific works and composers from the era is recommended.