3. What is the parallel minor of D major?
a. B minor
b. D minor
c. F minor
d. G minor
4. Which minor scale has a raised seventh degree when ascending and descending?
a. natural minor
b. melodic minor
c. harmonic minor
d. chromatic minor
5. The most conclusive-sounding cadence, often found at the end of a piece, is a(n)
a. deceptive cadence
b. plagal cadence
c. half cadence
d authentic cadence
6. The chord progression of a plagal cadence is
a. IV-vi
b. IV-I
c. I-V
d. V^7-I
7. A major third stacked on top of a minor forms a(n) ________ triad.
a. major
b. minor
c. augmented
d. diminished
8. A major triad is formed by stacking
a. a major third on top of a nor third
b. a major third on top of a major third
c. a minor third on top of a minor
d. a minor third on top of a major third
9. What kind of interval os this?
a. perfect fourth
b. major third
c. major fourth
d. minor third
10. What note would you add to make this F-minor triad?
a. A
b. D
c. Ab
d. Db
11. Adding an A on the second space, directly above the F, would make this chord a
a. root-position triad
b. first-inversion triad
c. second-inversion triad
d. third-inversion triad
12. F is subdominant in which key?
a. F minor
b. Eb minor
c. C major
d. Ab major
he never came back...
this is for the Inspired to Relate Unit Test
1.d
2.a
3b
4c
5d
6b
7b
8d
9a
10c
11c
12c
13c
14a
15d
16b
17c
like his dad
but I'll be back
F is 100%
Yo F is 100% percent correct
3. The parallel minor of D major is D minor. To find the parallel minor of a major key, you need to lower the third, sixth, and seventh notes of the major scale by a half step.
4. The minor scale that has a raised seventh degree when ascending and descending is the melodic minor scale. The melodic minor scale raises the seventh degree by a half step when ascending but lowers it back to the natural minor scale when descending.
5. The most conclusive-sounding cadence, often found at the end of a piece, is an authentic cadence. An authentic cadence is a progression from the dominant (V) chord to the tonic (I) chord.
6. The chord progression of a plagal cadence is IV-I. A plagal cadence is commonly used in hymns and has a concluding or "amen" quality to it.
7. A major third stacked on top of a minor third forms a diminished triad. A diminished triad is made up of two minor thirds, resulting in a smaller interval between the root and the fifth.
8. A major triad is formed by stacking a major third on top of a minor third. The interval pattern for a major triad is a root, major third, and perfect fifth.
9. The given interval is a major third. A major third spans two whole steps or four half steps.
10. To make an F-minor triad, you would add the note Ab. A minor triad is formed by stacking a root, a minor third, and a perfect fifth.
11. Adding an A on the second space, directly above the F, would make this chord a first-inversion triad. In a first-inversion triad, the middle note of the triad is the lowest sounding note.
12. F is the subdominant in the key of C major. The subdominant is the fourth degree of a major scale, so in the key of C major, F is the subdominant.