What is a similarity between a haiku poem and a concrete poem?
Since this is not my area of expertise, I searched Google under the key words "haiku vs concrete poem" to get these possible sources:
https://www.google.com/search?client=safari&rls=en&q=haiku+vs+concrete+poem&ie=UTF-8&oe=UTF-8
In the future, you can find the information you desire more quickly, if you use appropriate key words to do your own search. Also see http://hanlib.sou.edu/searchtools/.
http://www.hackcollege.com/blog/2011/11/23/infographic-get-more-out-of-google.html
A similarity between a haiku poem and a concrete poem is that both forms of poetry focus heavily on the visual aspect of language.
To find the answer to your question, you can start by understanding the basic characteristics of each type of poem.
First, a haiku is a traditional form of Japanese poetry that consists of three lines. The first and third lines have five syllables, while the second line has seven syllables. Haikus often capture a fleeting moment in nature, using vivid and sensory language to convey emotions and create a sense of immediacy.
On the other hand, a concrete poem, also known as shape poetry, is a type of visual poetry where the arrangement and layout of the words on the page create a shape that relates to the poem's subject or theme. These poems treat the visual appearance of the words as an essential part of the poem itself and often require the reader to visually engage with the text to fully understand its meaning.
From this understanding, we can identify the similarity between haiku and concrete poems. Both types of poetry go beyond the simple arrangement of words on a page and incorporate the visual aesthetics of the poem into its overall meaning. In haikus, the choice of words and the arrangement of syllables contribute to the visual impact of the poem, while concrete poems use the physical placement and shape of the words to enhance the reading experience.
So, in summary, the similarity between a haiku poem and a concrete poem is their shared focus on the visual aspect of language, where both use visual aesthetics to enhance the overall impact and meaning of the poem.