What did Michelangelo think of his job painting the ceiling of the Sistine chapel?

Read carefully:

http://www.michelangelo-gallery.com/the-sistine-chapel-ceiling.aspx

Michelangelo held a complex and often conflicting view of his work on the ceiling of the Sistine Chapel. At times, he expressed frustration and even anguish toward the demanding nature of the project. To get a deeper understanding of Michelangelo's thoughts, we can explore his letters, biographies, and historical accounts.

To start, we can consult Michelangelo's letters, which provide insight into his mindset during the project. One major source is the correspondence between Michelangelo and his friend, the poet Giovanni da Pistoia. In one letter from 1509, Michelangelo describes the physical and emotional toll the painting was taking on him, expressing his discontent with the task. He writes about the difficulty of working with his neck in an uncomfortable position, the strain on his eyes, and the overall arduousness of the endeavor.

Additionally, we can turn to biographies of Michelangelo, such as the one written by Giorgio Vasari. Vasari's work, titled "The Lives of the Most Excellent Painters, Sculptors, and Architects," provides a detailed account of Michelangelo's life and artistic achievements. While Vasari admires Michelangelo's talent and dedication, he also sheds light on the artist's occasional frustration with the Sistine Chapel project. Vasari mentions how Michelangelo, known for his sculpting skills rather than painting, felt out of his element and struggled with the technique required for the large-scale fresco.

Lastly, it's important to consider the historical context and the expectations placed upon Michelangelo by his patrons, the Pope and the Catholic Church. The Sistine Chapel was an important religious site, and Michelangelo was tasked with depicting the stories of Genesis on its ceiling. This added pressure might have contributed to his mixed feelings about the project.

While Michelangelo had moments of doubt and frustration with the Sistine Chapel undertaking, it's crucial to remember that his work on the ceiling stands as one of the greatest masterpieces in the history of art. Understanding his perspective helps us appreciate the complexity of his creative process and the immense talent that went into creating such an iconic work.