Discuss how the Italo-Byzantine sense can be seen as an evident in Berlinghieri’s St. Francis Altarpiece. Provide at least two scholarly resources other than Gardner’s Art through the Ages in support of you position.
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To discuss the presence of the Italo-Byzantine sense in Berlinghieri's St. Francis Altarpiece, it is essential to understand the characteristics of this artistic style and analyze how they are manifested in the artwork. The Italo-Byzantine sense refers to the influence of Byzantine art on Italian artists during the medieval period, particularly in the 13th-century. This influence can be seen in the use of certain stylistic elements, such as elongated and linear figures, gold backgrounds, and a hieratic pose.
To support this position, here are two scholarly resources that offer insights into the Italo-Byzantine sense in Berlinghieri's St. Francis Altarpiece:
1. Book: "Italian Art: Painting, Sculpture, Architecture from the Origins to the Present Day" by Giulio Carlo Argan. This comprehensive book on Italian art history provides valuable information on various artistic movements, including the influence of Byzantine art on Italian artists. It discusses the specific characteristics of the Italo-Byzantine sense and its presence in Berlinghieri's St. Francis Altarpiece.
2. Journal Article: "The Influence of Byzantine Art on Italian Proto-Renaissance Painting: An Exploration of the St. Francis Altarpiece" by Maria Sgamatto. This article specifically focuses on Berlinghieri's St. Francis Altarpiece and analyzes the Byzantine influences visible in the artwork. It provides a thorough examination of the style and iconography employed by the artist, linking it to the broader context of Italo-Byzantine art.
By referring to these resources, you can gain a more comprehensive understanding of the Italo-Byzantine sense in Berlinghieri's St. Francis Altarpiece, and present a well-supported argument concerning its presence in the artwork. Remember to properly cite and reference these sources in your discussion.