How the Italo-Byzantie sense can be seen as a evident in Berlinghieri St Francis Altarpiece?

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To see how the Italo-Byzantine influence can be seen in Berlinghieri's St. Francis Altarpiece, we can analyze the following elements:

1. Form and Composition: The Italo-Byzantine artistic style is known for its static and hieratic quality. In Berlinghieri's altarpiece, we can observe a similar approach. The figures are depicted in a frontal and symmetrical manner, with St. Francis and other figures standing upright and facing towards the viewer. This emphasis on symmetry and frontal representation is a characteristic of Byzantine art.

2. Iconic Representation: Byzantine art often focused on creating highly symbolic and iconic representations of religious figures. In Berlinghieri's altarpiece, St. Francis is depicted as a recognizable and stylized figure, with his iconic appearance including the brown robe, stigmata, and halo. This adherence to a specific visual representation is reminiscent of Byzantine iconography.

3. Gold Background: The use of a gold background in Berlinghieri's altarpiece is another feature commonly found in Byzantine art. The gold background creates a sense of sacredness and divinity. It also enhances the luminosity and the spiritual quality of the figures on the altarpiece.

4. Linear Style and Decoration: The use of bold, dark outlines to define the figures and the limited sense of naturalism in the representation of landscapes and architecture are also characteristic of Italo-Byzantine art. In Berlinghieri's altarpiece, we can observe the linear style and absence of shading or perspective commonly found in Byzantine art.

By examining these features, we can see how the Italo-Byzantine influence is evident in Berlinghieri's St. Francis Altarpiece. It combines elements such as the static composition, iconic representation, gold background, linear style, and decorative elements commonly associated with the Italo-Byzantine tradition.