which poet, who seems be using iambic pentameter, bends the meter most

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To determine which poet, who seems to be using iambic pentameter, bends the meter the most, we need to understand what iambic pentameter is and how it can be manipulated.

Iambic pentameter is a metrical pattern commonly found in traditional English poetry. It consists of five pairs of unstressed and stressed syllables, known as iambs. The rhythm follows a pattern of da-DUM, repeated five times (pentameter).

When a poet bends or deviates from the established pattern, they are using metrical variations. There are several ways a poet can achieve this:

1. Substituting an iamb with another metrical foot: The poet might replace an iamb with a different rhythmic pattern like a trochee (DUM-da), spondee (DUM-DUM), or anapest (da-da-DUM).

2. Adding or removing a syllable: The poet may add or subtract a syllable within a line or between lines, disrupting the regular pattern.

3. Caesura or pause: The poet can insert a pause within a line that interrupts the metrical flow.

4. Enjambment: The poet may continue a thought or sentence across multiple lines, which can disrupt the regular metrical pattern.

While various poets experiment with bending the iambic pentameter, one notable example is William Shakespeare. Shakespeare often employs metrical variations within his sonnets and plays, subtly altering the rhythm to suit the dramatic or expressive needs of the text. He frequently uses substitutions, added or omitted syllables, caesuras, and enjambments to bend the iambic pentameter.

Ultimately, the extent to which a poet bends the iambic pentameter varies. Different poets employ different degrees of variation and experimentation. Shakespeare, with his vast body of work and versatile use of meter, is a prime example of a poet who bends the iambic pentameter most.