In "Where the Cross is Made" how does O'Neill indicate what is real or fantasy?

This site will explain the stage effects that show the difference between sanity and madness.

http://www.eoneill.com/library/newsletter/vi_3/vi-3e.htm

To understand how Eugene O'Neill indicates what is real or fantasy in his play "Where the Cross is Made," you can examine various elements such as dialogue, stage direction, and characterization. Here's how you can analyze these elements to discern between reality and fantasy in the play:

1. Dialogue: Pay attention to the language used by the characters. Realistic dialogues usually consist of everyday language, while fantasy or surreal elements may be conveyed through poetic, abstract, or symbolic language. Look for instances where characters speak in a way that seems detached from reality or uses metaphorical expressions.

2. Stage Direction: Analyze the stage directions provided by O'Neill. These instructions outline the actions and movements of the characters, as well as the setting and atmosphere of the play. If there are fantastical or supernatural elements described in the stage directions, it can indicate that a particular scene or moment is a representation of fantasy.

3. Characterization: Observe how O'Neill presents his characters and their behavior. Realistic characters tend to exhibit human-like traits, emotions, and motivations, while fantasy characters may possess exaggerated or symbolic qualities. Look for individuals who display extraordinary abilities, represent abstract concepts, or function outside the boundaries of reality.

By carefully examining the dialogue, stage direction, and characterization in "Where the Cross is Made," you can identify the instances where Eugene O'Neill indicates what is real or fantasy in the play. Remember that interpreting a piece of literature involves subjective analysis, so different readers may have varying interpretations.