Does In Cold Blood by Truman Capote have a protagonist? is it Herb Clutter, Dewey, or Perry? If so, does that make it a creative work? If not, explain how it is simply eloquent journalism.
Please note that we don't do students' homework for them, but we will critique your thinking once you post what YOU think the responses to these questions are. Much of it is your own interpretation, so be sure to be able to explain why you think as you do.
http://www.sparknotes.com/lit/incoldblood/
http://en.wikipedia.org/wiki/In_cold_blood
In Cold Blood by Truman Capote is a unique work that blurs the lines between creative writing and journalism. The book tells the true story of the murder of the Clutter family in Holcomb, Kansas, in 1959. While it is a non-fiction book based on real events, Capote employed literary techniques to create a narrative that reads like a novel.
Regarding the protagonist, In Cold Blood does not have a conventional protagonist in the traditional sense. Instead, the book focuses on multiple characters, including Herb Clutter, the family patriarch; Dewey, a detective investigating the case; and Perry, one of the murderers. Each of these characters receives significant attention and is explored in depth throughout the book.
The absence of a clear protagonist is one aspect that sets In Cold Blood apart from traditional fictional novels. However, this does not diminish its status as a creative work. Capote's meticulous research, detailed descriptions, and narrative structure combine to create a compelling and immersive reading experience.
While In Cold Blood is often referred to as a masterpiece of creative non-fiction, it can also be seen as eloquent journalism. Capote's extensive interviews with the murderers and the people of Holcomb, in addition to his attention to factual detail, highlight the journalistic nature of the book. He aimed to present an accurate account of the events while also incorporating literary techniques to engage readers on an emotional and intellectual level.
In summary, In Cold Blood does not have a traditional protagonist. Instead, it delves into the lives and perspectives of multiple characters. The use of creative writing techniques, meticulous research, and Capote's storytelling prowess make it a remarkable blend of creative work and eloquent journalism.